#42 - Beyond Access
Edition #42 of the Lighthouse miniLetter!
You'll always get:
Three examples of great screenwriting
Two quotes about storytelling
One thing to think about
Plus some fun links at the bottom.
Three examples of great screenwriting
The Disaster Artist
Written by Scott Neustadter & Michael H. Weber
Tommy’s intro. Look at all the ways this passage points to something, but is constantly unable to access it.
“The man called Tommy…” adds mystery to his name.
“…channeling, well, something.”
“French, German, Eastern European - impossible to tell.”
Two “maybes” at the end, and then “Anything is possible right now.”
Constant questions, and never a clear articulation. Tommy now seems beyond access to even this screenplay that’s about him, and therefore, to us. Brilliant work.
Ozark (Pilot)
Written by Bill Dubuque
Great interplay here between the V.O. and what we’re seeing. It’s not on the nose, and the two narratives sort of intertwine, sometimes intersecting at specific points, then veering away, then intersecting again.
Sedalia (Pilot)
Written by Lisa Jay
This passage is a great example of simple and clear screenwriting.
Adjectives only when needed.
Vibes only when needed.
The pace is effortlessly quick.
And it builds to single exciting climactic moment.
Wonderful cold open. If I had the space, I’d share in its entirety. It’s all this good.
Two quotes about screenwriting
One thing to think about
What do you want to do next year?
This one’s a bit obvious this time of year.
So I’ll throw something in the mix.
Why do you want to do what you want to do next year?
Think about that. And be honest.
When your willpower is low, this is what can help get you through.
Remember:
Why?
Have a great draft,
David Wappel
PS Don’t Miss
Top 5 Clicked Links from the Past Year
The untouched since '96 Space Jam website
My first taste of real screenwriting education
Nostalgic video games